It'd be funny if life wasn't so sacred.
The Fly is directed by Kurt Neumann and adapted to screenplay by James Clavell from the short story written by George Langelaan. It stars David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Kathleen Freeman and Betty Lou Gerson. Music is by Paul Sawtell and cinematography by Karl Struss.
When science goes berserk, The Fly finds Hedison as scientist Andre Delambre, who after successfully inventing the ability to transmit matter from one place to another - falls prey to a cruel slice of horrific fate...
Kurt Neumann would sadly pass away shortly after The Fly was released. Itself a terrible shame, it's doubly sad that he didn't get to see his film become a cult favourite with longevity assured. It's a film that smartly blends sci-fi with horror, and even managing to be fun into the bargain.
It's sometimes by modern observers accused of being too slow, but really it's a lesson in fine story telling. For at the heart of the tragic tale is a bountiful love story, the loyalty of a great wife in full effect. Throw in Andre's stoic pursuit of a science to benefit mankind, and this is a film that needs time to lay the story foundations.
Once we get to the horrors, and the surviving characters of the flashback structure play out this fateful tale, it simultaneously grips and fascinates. The effects work of course now looks a bit creaky, but those who first sampled them many decades ago have never ever forgotten the impact of the critical sequences.
Two pretty poor sequels would follow, which in turn would see a brilliant remake by David Cronenberg some 28 years later. Neumann's film is still a great piece of 1950s sci-fi, clinically adapted from a genius piece of short story writing. Loop holes exist, of course, but who cares, dive in and be haunted by what transpires on the screen. 8/10
